played by Raze WRECKFour ways to break a sound, mids only, lows and highs kept clean.
Press play, then switch modes. Every clip is the same drum loop through RUIDO Distort, level-matched to the dry loop, so you hear the character, not just "louder".
Brickwall rail clipping. Square, loud, honest.
A sine wavefolder: peaks fold back on themselves into new harmonics.
A starved, asymmetric fuzz that gates and sputters as you push Bias.
A full-wave rectifier that adds an octave up.
Distort is the aggressive counterpart to Saturate. It splits your sound into three bands and only overloads the middle one, so the low end stays solid and the top stays clear. It runs oversampled with anti-aliasing and matches its level automatically, so turning it up changes the character, not just the volume.
One WRECK knob plus Mix. The first stretch of WRECK blends the effect in, the rest raises Drive.
Raze was the one they called when something needed breaking. He always knew exactly how much force a thing could take before it failed. Now he doesn't break things. He overloads them. Anything pushed through Raze comes out more violent than it went in. He calls it "hitting something properly."
Just this plugin, yours forever. If you later get RUIDO, what you paid counts toward it.
Buy RUIDO DistortThe rack plus every member as its own plugin. Included with Gold (rent-to-own).
Buy RUIDO
